Article
Details
Citation
Ezra E & Sillars J (2007) Hidden in plain sight: bringing terror home. Screen, 48 (2), pp. 215-221. https://doi.org/10.1093/screen/hjm017
Abstract
This analysis of Caché/Hidden(Michael Haneke, 2005) examines how the film's depiction of a world of material privilege corroded by psychic unease opens up broader questions of the political deployment of fear and paranoid fantasy, and the dishonesities and displacements of postcolonialism.
Keywords
Caché (Hidden); Michael Haneke; Terrorism; Colonial guilt; Haneke, Michael Criticism and interpretation; Fear Psychological aspects; Psychological thrillers (Motion pictures, television, etc.) France
Journal
Screen: Volume 48, Issue 2
| Status | Published |
|---|---|
| Publication date | 31/12/2007 |
| URL | http://hdl.handle.net/1893/345 |
| Publisher | Oxford University Press |
| ISSN | 0036-9543 |
| eISSN | 1460-2474 |
People (1)
Professor of Cinema and Culture, French