Imaginario colectivo musical. Convenciones en el proceso de interpretacion del sentido de la musica

Citation

Borges Rey E (2009) Imaginario colectivo musical. Convenciones en el proceso de interpretacion del sentido de la musica. Revista Icono14, 7 (3), pp. 210-231. http://www.icono14.net/articulos/imaginario-colectivo-musical

Abstract
Human society has built itself over the years. Social models have been transformed with each new revolution of thinking; those processes, which served the purpose of settling the foundations for a net of relations in every field, led to what we human beings nowadays perceive as our environment. However, not only what is visible at first glance has been built, but also unnoticed, complex abstractions which tacitly give a meaning to numerous elements of everyday life. Many situations happen around us in which thousands of signs are interpreted at an unimaginable speed; it's on these signification systems that conventions are constantly rewritten in a perpetual code update. This is how music in particular stands out as a form of discourse that generates an interpretation. From the study of significance's point of view, music provokes a response on the receiving end, but the answer to how that response is generated is still an issue for heated, passionate discussions among experts.

Keywords
Musical Semantics; Music and Society; Music and Communication; Collective Musical Imaginary; Music Semiotics; Music appreciation

Journal
Revista Icono14: Volume 7, Issue 3

• 14_icono14_eddyborges.pdf