Article
Details
Citation
McKeever GL (2016) Tam o' Shanter and Aesthetic Cultural Nationalism. Studies in Scottish Literature, 42 (1), pp. 31-48. https://scholarcommons.sc.edu/ssl/vol42/iss1/3/
Abstract
Drawing on recent debates about Burns and Scottish Romanticism, particularly comments by Murray Pittock, Nigel Leask, and Ian Duncan, discusses the pivotal scene in Robert Burns's poem "Tam o' Shanter," in which Tam's vision of the witches' carnival is framed by the window of Alloway Kirk, and argues that this can be read as a framing and aestheticization not only of folk heritage, but of a national self-image, a recalibration of nationhood.
Journal
Studies in Scottish Literature: Volume 42, Issue 1
Status | Published |
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Funders | University of Glasgow |
Publication date | 31/12/2016 |
Publication date online | 07/06/2016 |
Date accepted by journal | 07/03/2016 |
URL | http://hdl.handle.net/1893/32883 |
Publisher URL | https://scholarcommons.sc.edu/ssl/vol42/iss1/3/ |
ISSN | 0039-3770 |